This is true of all Key works to a certain extent, and on balance LB is less focused on the drama than any of the eithers I’ve seen, but I think the clear-cut separation between the two modes might just be more pronounced than in any other Key work.
Apart from the episode where Kud was looking for a roommate – certainly the most balanced ep so far – the series has been a study in contrasts. It’s either full-on serious mode or full-on silliness, and there isn’t a whole lot of in-between. One thing that’s interesting about Little Busters (and something I don’t always love about it) is that it tends to be very much all-or-nothing in terms of drama.
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